![]() ![]() While some have interpreted the figure on the left as Marie-Thérèse’s sister (presumably in light of Picasso’s later 1934 series of the two women reading at a table), it can also be read as a double portrait of Marie-Thérèse. I search incessantly and there is a logical sequence in all this research…It’s an experiment in time." Artwork: © 2022 Estate of Pablo Picasso / Artists Rights Society (ARS), New York As Françoise Gilot, Picasso’s final lover, later observed, “With her, Pablo could throw off his intellectual life and follow his instinct.I could see that she was certainly the woman who had inspired Pablo plastically more than any other.” iiįlip book photographs of Marie-Thérèse Walter, 1930. By the time Picasso created Figures et plante, her distinctive image had proliferated through every medium of his work. “He simply grabbed me by the arm and said, ‘I am Picasso! You and I are going to do great things together.’” i This coup de foudre soon blossomed into a rapturous affair and would shape the course of Picasso’s art by the turn of the decade. I knew nothing-either of life or of Picasso,” Walter recalled years later. Picasso met Marie-Thérèse in front of the Galeries Lafayette in Paris in January 1927, when he was still married to Olga Khokhlova. Private Collection, formerly the Evelyn Sharp Collection. Pablo Picasso, Buste de femme de profil (Marie-Thérèse), April 1, 1932. Beside her, he renders a second seated figure overarched by foliage sprouting from a vase that reflects the bright light streaming into the room. In the present work, Picasso unveils the stage from left to right: Marie-Thérèse writing at a table in the Château de Boisgeloup near Gisors, which the artist had purchased in the summer of 1930 and where the lovers often met in secret. Having resided in private hands for the last 20 years, Figures et plante reveals an expanded scene of Buste de femme de profil (Femme écrivant) which the artist had painted just three days earlier. Among Picasso’s finest painterly achievements, the works of this seminal year mark Picasso’s annus mirabilis or “year of wonders,” as described by the artist’s biographer John Richardson, when Marie-Thérèse had claimed her exceptional presence in his art. Painted on April 4, 1932, Pablo Picasso’s Figures et plante is a vibrant gem of the artist’s portraits of his reigning muse, Marie-Thérèse. "The day I met Marie-Thérèse, I realized that I had before me what I had always been dreaming about." ![]()
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